In “Only Yesterday” we look at the dusk of adolescence, which carries in itself the dawn of adult life. Who leads our gaze is Neto, and from the tobacconist of a roadside gas station, he follows the coming and going of the highway, and dreams about the many paths that he would like to follow. In this opposite road movie, Neto and his friends are fixed on the coasting, where the road is the one that moves in front of their eyes.